October 1, 2009

i want to be a machine-ultravox


found the bones of all your ghosts
Locked in the wishing well
While birdsong gourmets dragged empty nets
I slumbered in my shell

In mitternacht, die mensch-maschine
Kissed me on my eyes
I rose and left the fire-ladies
Glowing lonely in the night
With all the pornographers
Burning torches beneath the sea

I want to be a machine
I want to be a machine
I want to be a machine
I want to be a machine

I stole a cathode face from newscasts
And a crumbling fugue of songs
From the reservoir of video souls
In the lakes beneath my tongue
In flesh of ash and silent movies
I walked at boulevards again
A nebula of unfinished creatures
From the lifetimes of my friends
I hope your innocence has depraved me

I want to be a machine
I want to be a machine
I want to be a machine
I want to be a machine

Broadcast me, scrambled clean
Or free me from this flesh
Let the armchair cannibals take their fill
In every cell across wilderness
We'll trip such a strangled tango
We'll waltz a wonderland affair
Let's run to meet the tide tomorrow
Leave all emotion dying there
In the star cold beyond all of your dreams

I want to be a machine
I want to be a machine
I want to be a machine
I want to be a machine

Ah!


Thanks to brother Melvillian for the post!

September 30, 2009

Virtual composer makes beautiful music—and stirs controversy

When most of us think about a machine composing musical pieces, we think of primitive songs coming out of a HAL 9000 that could be suitable for a child's toy, but nothing that music lovers would actually enjoy. That's because most of us haven't heard of Emily Howell. No, that's not a person—it's the name of a computer program written by University of California, Santa Cruz professor David Cope that, after nearly three decades of work, is about to release, uh, "her" first CD through Centaur Records.


ars technica